Eudora Welty: Visionary Modernity and the Double Spatialisation of the American Photograph

Rob Shields · Posted on December 28, 2023December 15, 2023

Notes on the ‘Seeing-drawing’

Jeongwon Gim · Posted on January 9, 2023January 9, 2023

Up Again In Treme

Rob Shields · Posted on October 24, 2022October 24, 2022

Summer Travels Through the Library of Virtualities

Rob Shields · Posted on October 5, 2022

Uncanny Emptiness of the Over-Designed City: Notes on the Architectural Designs in Sejong city, South Korea

Jeongwon Gim · Posted on September 2, 2022August 31, 2022

William Kentridge: More Sweetly Play the Dance

Rob Shields · Posted on March 7, 2022March 10, 2022

Harbour Cities: The King of St. Pauli: How Jürgen Roland mediated the Kiez and framed himself

Contributions · Posted on July 12, 2021March 10, 2023

Harbour Cities: Re-Starting point Hamburg?

Contributions · Posted on January 22, 2021September 15, 2023

Review: Passing by, the Spaces of Performance

Rob Shields · Posted on December 31, 2019

Review: The Semiotics of Che Guevara: Affective Gateways, by Maria-Carolina Cambre

Jeongwon Gim · Posted on August 6, 2018June 16, 2023

Call for Proposals: The Politics of Visibility in Public Space

Rob Shields · Posted on July 29, 2018July 29, 2018

Museum Gallery Spaces

Rob Shields · Posted on June 10, 2016March 23, 2023

Performing ‘Islands in the Sky’

Rob Shields · Posted on March 7, 2016March 23, 2023

The Disappeared in my viewfinder

Rob Shields · Posted on April 21, 2015February 27, 2023